Baltimore City Safe Art Space Task Force

In response to the closure of Bell Foundry (and other issues in the city), Mayor Pugh has established a Safe Art Space Task Force. This organization is holding public meetings on upcoming Tuesdays at 4pm. I encourage dancers of all flavors to get involved in these meetings as often as possible. Information on the task force is here.

Upcoming meetings include:

Tuesday, March 7th – location TBD
Tuesday, March 21st – location TBD
Tuesday, April 4th – location TBD
Tuesday, April 18th – location TBD
Tuesday, May 2nd – location TBD
Tuesday, May 16th – location TBD (Final Meeting)

Baltimore City Board and Commission Appointments

With the new administration in Baltimore City, there is a rare and important opportunity for dancers to engage on a strategic level with the city.

Mayor Pugh is accepting applications to serve on numerous boards and commissions. Information and application is here. The deadline is March 1, 2017, 4:30pm.

If you dance or are interested in the future of dance in Baltimore, I encourage you to consider applying… there are several boards and commissions that could influence the future of dance in Baltimore, but probably most interesting is the Recreation and Parks Advisory Council.

As discussed previously, city recreation facilities are due for an upgrade. The new administration is currently looking for a new Director of Recreation and Parks, and that person will review (and probably change) the previous plans. It is important for dancers to have their voices heard in this process.

If that doesn’t suit you, you could also have a meaningful influence for your art with these boards and commissions:

Baltimore Collegetown Network
Baltimore Development Corporation
Commission on Aging and Retirement Education
Community Relations Commission
Downtown Partnership
East Baltimore Development
Park Heights Renaissance Board
Visit Baltimore
Youth Commission

I hope you’ll take the time to review the site, the reference guide and if you can, get engaged and get the voice of dancers on these boards…

Secret Dancing Lives (of Scientists and Engineers)

PBS’s NOVA as a mini-feature about what scientists and engineers do when they are not “scientisting” and “engineering” and from this archive we bring these for you to enjoy…

Kate Sweeny: Shake off Your Anxiety

Crystal Dilworth: Ballet, Neuroscience and a Man-Eating Plant

Shaundra Daily: I Found Home

Amy Cuddy: I Can’t Not Dance

Mae Jemison: The Cosmic Dance

Michelle Thaller: Dancing With The Stars

[T] Howard Community College Adjunct Pool

https://howardcc.interviewexchange.com/jobofferdetails.jsp?JOBID=50245&CNTRNO=58&TSTMP=1483744999510

About Howard Community College:

Howard Community College (HCC) is an exciting place to work, learn, and grow! HCC has been awarded the distinction as a “Great College to Work for” since 2009 from The Chronicle of Higher Education.

Howard Community College values diversity among its faculty, staff and student population. We are an innovative institution that is committed to responding to the ever-changing needs and interests of a diverse and dynamic community. No matter where you want to go in your career, you can get there from here!

Job Description:

Teach dance courses; grade students, attend and participate in college and departmental meetings, assessment and reporting.

Requirements:

Significant experience in field/genre of dance, evidence of excellence in teaching dance form(s), BA/BFA and MA/MFA preferred for best consideration, but not required.

Additional Information:

Work Schedule: Varies based upon program needs.
Compensation: $682 per credit hour.

This is an ongoing posting.

Howard Community College (HCC) is an Equal Employment Opportunity & Affirmative Action employer & values diversity within its faculty, staff & student population. All qualified applicants will receive consideration for employment without regard to race, color, religion, sex, national origin, age, gender, sexual orientation, gender identity, genetic information, disability or protected veteran status.

HCC understands that persons with specific disabilities may need assistance with the job application process and/or with the interview process. For confidential assistance with the job application process, please contact the Office of Human Resources at 443-518-1100. The TDD line phone # is: 443-518-4822.

Application Instructions:

Please attach the following documents:

1) Resume

2) Cover Letter

MPT Artworks Dance Coverage

Baltimore has a wonderful media resource just up the street in Owings Mills – MPT. MPT is a well-respected public television station that produces a number of nationally-syndicated programs, but what’s interesting for Baltimore dance is Artworks, which is put together by PBS stations around the country.

Now starting its fifth season, most episodes are available online. Ignoring the few episodes that are awards-oriented, there are 134 you can watch online. Episodes typically feature three or four segments, and that adds up to about 474 segments in the first four seasons. Of those, 25 address dance in some form (5%).

Here you go…
Episode 102: “A young Muslim woman hip hop dancer who performs in traditional dress” (Amy Sackett)
Episode 110: “Discover the charisma of dancer-choreographer Jennifer Nugent
Episode 125: “Exploring the Rosie Herrera Dance Theatre which combines caberet, hip-hop and drag queens”
Episode 126: “Featuring choreographer for big Broadway shows like ‘Annie,'” (Andy Blankenbuehler)
Episode 213: “Dance legend Bill T. Jones
Episode 223: “The aerial magic of Colorado’s ‘Frequent Flyer Productions‘ Dance Company.”
Episode 224: “The complex physics of the dancer’s leap.” (David Ward, Dr. Tim Hewett, Dr. Thomas Humanic)
Episode 227: “The Colorado Ballet’s moving dance about Holocaust suffering and survival,”
Episode 231: “Native American dancer and choreographer Rulan Tangen is passionate about the transformative, ritualistic power of dance,”
Episode 232: “The Artistic Director of the revived Dance Theatre of Harlem” (Virginia Johnson)
Episode 233: “Introducing a Muslim woman hip hop dancer and choreographer,” (Amy Sackett)
Episode 238: “Paula Zahn’s compelling interview with dance legend Bill T. Jones.”
Episode 303: “We meet Colorado’s Wonderbound Dance Company;”
Episode 318: “A sizzling teaser for PBS’s America’s Ballroom Challenge, the series which launched the genre of dancing competitions.”
Episode 321: “On your toes – it’s the rarefied world of a ballerina,” (Samantha Lewis), retired.
Episode 324: “Vegas showgirls – self-defining artists or exploited icons?”
Episode 326: “Legendary Choreographer Mark Morris brings back one of his seminal dances — and it’s spectacular, again.”
Episode 404: “Legends and rising stars in the rarefied world of dance. Mark Morris talks about a splendid revival of one of his seminal dances, and Bill T. Jones talks about his revolutionary choreography – and his humble beginnings as the son of sharecropper. Then Amy Sackett – fearless hip hop Muslim dancer & choreographer. ”
Episode 414: “A stunning flow of movement through exploratory dance with the Cirio Collective in Boston.”
Episode 418: “A story about Nevada Ballet Theatre, keeping classical dance alive in Vegas;”
Episode 422: “Filmmaker Ric Burns captures American Ballet Theater at 1,500 frames per second.”
Episode 431: “Leaping beyond the strict techniques of ballet with the Cirio Collective.”
Episode 432: “Exploring the improvisational dance process of action and reaction with dance company 3rd Law.”

Take out the repeat coverage (Amy Sackett [Ep 102, 233, 404], Bill T. Jones [Ep 213, 238, 404], Mark Morris [Ep 326, 404], Cirio Collective [Ep 414, 431], and dance coverage from Artworks is just 20 segments in four seasons. A lot of it comes from Colorado (3rd law, Colorado Ballet, Frequent Flyer Productions, Wonderbound), so a nod to Colorado’s PBS affiliate.

And I will close with a request – There’s a lot of dance in Baltimore (and we have more oxygen than Colorado), so make it awesome, make it newsworthy, and get in touch with MPT about getting it on Artworks.

Kickstarting Dance in Baltimore

One of the nice things about the Kickstarter platform is that it’s been around long enough to accumulate some meaningful data on funding and the arts. It’s also got a handy tool to look at past funding efforts. Baltimore Dance only has 22 projects, so it’s not a huge set of data to work with, but it’s something. Keep that in mind – small data set = big errors. A lot of “theater” projects could be dance performance projects, and they are not included, and, in contrast, several of these “Dance” projects are related to dance, but not dance performance (there’s a costume fundraiser and a film project in there). So again, lots of error. Having said all that, is there anything meaningful to learn? Probably…

We’ve touched on Kickstarter before, but today’s exercise is about how Kickstarter has worked for dance in Baltimore, so I won’t be addressing any specific projects or people. I’m also going to exclude the film and travel efforts and try to focus on dance performance efforts. They overlap, so it’s a judgement call, and we’re left with 16 of 22 original projects. 11 successfully funded projects and 5 unsuccessfully funded projects remain. That screen drops just one successfully funded project, so that speaks well of Baltimore performance efforts. Data goes back to 2010, so that leaves us with:

Year Total Success Success Percentage
2010 1 0 0%
2011 2 1 50%
2012 5 4 80%
2013 3 3 100%
2014 1 0 0%
2015 2 2 100%
2016 2 1 50%
Total 16 11 69%

2012/2013 was peak funding year for dance in Baltimore, with 8 projects launched and 7 successfully funded. Since then, Baltimore dance activity on Kickstarter has dropped dramatically, but it’s impossible to know why. Has Baltimore (or dance) moved to other crowd-sourcing platforms? Fewer productions that require funding? Has other funding appeared? Is the Kickstarter overhead too much to bear with local dance economics?

Within this set of successfully funded projects, the average contribution was just a bit over $80 ($80.04, range $35.73 – $160.81) from just under 60 backers (58.4, range 7-237). Also interesting, within successful projects, the total raised averaged 120% of the funding requested, with 3 of 11 reaching 130+%. When Kickstarter works for Baltimore dance, it works well.

When Kickstarter doesn’t work for dance, it’s pretty dramatic. None of the 5 unsuccessfully-funded efforts on Kickstarter had more than 9 backers and none of them even reached 20% of their funding goal. Again, it’s impossible to know precisely what is behind this result. There’s a general conclusion even without more information – if you’re on a crowd-sourced funding platform, you really need access to a crowd.