ClancyWorks

ClancyWorks

MSAC Touring Artist Profile

ClancyWorks shifts perceptions through performance! ClancyWorks presents original modern dance works created through an exploration of architecturally informed partnering techniques. The Washington Post has described Adrienne Clancy, Founder, as ― a wizard of invention‖ and her choreography as ― a tour de force of unpredictable partnering. Over the past 20 years of choreographing, Clancy has earned numerous awards and honors for her work and has had her dances presented internationally in Japan, Poland, Paraguay, Mexico, Israel, and England. Recently ClancyWorks has presented performances on a national level in New York, New Mexico, California, Texas, Indiana, Illinois, North Carolina, Georgia, Kentucky, Louisiana, West Virginia, Virginia, Washington, D.C., and Maryland.

“The mercurial ease with which ClancyWorks not only performed, but opened and illuminated the artistic process, and actually incorporated audience reactions and suggestions into a dance piece, was arresting and informative. This was an elegant version of improvisation from audience
suggestions. Brava! Bravo! The company was cordial, congenial, and a pleasure to work with offstage as well, which matters a lot to us as a presenter.” Dr. Donn Murphy, National Theater Presenter, DC, commenting on a ClancyWorks concert presented at the National Theater.

Complimentary Activities:

ClancyWorks education programs highlight leadership skills, community, teamwork, collaboration, and historical/cultural context of each dance form balance discipline and rigor with fun.

ClancyWorks demonstrates a truly unique approach to partnering that carries into our educational and professional development residency work, including:

-Arts integration residencies teaching K-12 Earth/Space Science and/or Health/Fitness through movement;

-Tailored dance workshops in a range of genres (including Modern, Hip Hop, Step, Latin dance, African dance, Jazz, Ballet);

-Choreographic commissions for high school, colleges, and universities;

-ClancyWorks’ School Assembly Program tailored for K-12; and

-Movement workshops for Senior citizens.

Fees for these programs begin at $200.

MSAC Touring Artists Roster

A deadline approaches, so I want to give everyone some clues about this opportunity. The Maryland State Arts Council Touring Artists Roster is an application-based list of Maryland-based artists, selected by their peers and clients.

Important: New applications are due September 16, 2016 (If you’re already on the roster, you probably already know, but renewal applications are due earlier – September 2, 2016).

This is good company. If you make it through the application process (details available at the link above), you join a very fine group of dance producers:

Ballet Theatre of Maryland
The Barnstormers and RockCandy Cloggers
Christopher K. Morgan & Artists
ClancyWorks
Devi Dance Company
Footworks Percussive Dance Ensemble
Naoko Maeshiba
Sankofa Dance Theater
Silk Road Dance Company
SOLE Defined
VTDance
Word Dance Theater

(one tip – at the MSAC website, don’t filter for “dance” or you’ll miss some…)

So, if you have a performance dance organization, and some track record of performing (they will want to talk to people you’ve worked with….), take a few minutes to review the MSAC Touring Artists Roster criteria and application process. It could get you some meaningful work.

The Calendars Go Live

In the Dancer’s Studio is now live with two calendars – one for regional performance and one for regional training opportunities.

After some debate, but for the sake of sanity, we’re excluding regularly-scheduled classes from the training (“professional development”) calendar (the one displayed on the side). Regularly scheduled classes get their own (bigger, full-screen) calendar (a third, not-yet-live calendar).

If you have a dance company with a performance schedule to share, or you host master classes or other irregularly-scheduled dance training events, please let us know

If you have a school/studio with a regular class that is not closed (i.e., drop-ins are allowed), please let us know so we can get the class calendar populated and live.

If you’re interested in curating a calendar, DEFINITELY let us know

Thanks!

MFA Geography

This is a basic map showing the institutions in the United States that offer an MFA degree in Dance. I am the first to say that you do NOT need a degree to be a serious dancer. That said, this map shows where people are going to spend years of their lives and tens of thousands of dollars specifically to be a serious dancer. Also, only the United States is covered. If I get terribly motivated, I’ll take this to the next level and add graduation rates, but for now…. enjoy.

Base data from Life as a Modern Dancer

Ethan Mollick’s Crowd-Funding Economic Impact Study

A few weeks ago, Ethan Mollick of the Wharton School at the University of Pennsylvania published Containing Multitudes: The Many Impacts of Kickstarter Funding. In the crowd-funding era of arts economics, Kickstarter isn’t the only game in town, and each site (or system) has its own quirks. But, let’s start with the paper’s abstract:

Using a survey of 61,654 successful Kickstarter projects, I examined the various long-term impacts of crowdfunding. I found that every dollar given to projects via Kickstarter resulted in a mean of $2.46 in additional revenue outside of Kickstarter (95% Confidence Interval (CI): $1.82 to $3.09), though these amounts were much higher in categories such as food and product design and lower in film. From inception to May, 2015, Kickstarter projects resulted in around 5,135 ongoing fulltime jobs besides those that went to creators (95% CI: 1,188 to 9,082), and led to the hiring of around 160,425 temporary workers (95% CI: 145,330 to 175,518). Over 50% of projects were reported as being innovative by both backers and creators, and projects produced over 2,601 patent applications. Creators also reported significant positive impacts on their careers, and suggested that many projects helped a community or society in some way.

A couple things to note – this is only Kickstarter data and the survey instrument is not available. Kickstarter projects cover a lot of things besides art, and a lot of art stuff that isn’t dance. For this paper, dance and theater are combined.

Still, an important bit of data emerges. Included in the paper is a graph of “dollars generated to dollars pledged” which suggests that, on average, for each dollar pledged in a successful, completed Kickstarter-backed dance/theater project, about $5 of additional revenue is generated. That’s close to double the Kickstarter-wide average of $2.46 generated per dollar pledged and the most efficient non-product category discussed in the paper. It’s easy to imagine this has a lot to do with non-pledge-benefit ticket sales in the dance/theater world, but that’s just speculation on my part.

It’s not something you can take to the bank (every crowd-funding exercise is different and this particular metric is highly variable), but if you are planning to do some crowd-funding for a dance project, keep that 5-to-1 multiplier in mind. That’s real leverage.

Akimbo 2016

Congratulations, class of Akimbo 2016! You have just a bit over a month to discover these artists, so… let me help you with that.

Baggypantsrich and mrsuaidi
Baltimore Dance Project
Blue Shift
The Collective
darlingdance [Warning: Facebook]
Deep Vision Dance Company
FlamencoSole Experimental
Full Circle Dance Company
Maggie Jones & Tiffany Spearman
Moveius Contemporary Ballet
Noelle Tolbert and Alex D’Agostino
Peter Redgrave & Khristian Weeks
Prakriti Dance [Warning: Facebook]
Public Operations / Noa Heyne
ReVision Dance Company [Warning: Facebook]
Sarah Smith
Vaught Contemporary Ballet [Warning: Facebook]
Zoe Cleous & Artists

If you’ve got link tips for the ones that don’t have links, please let me know

Millimetre, Sofiane Tiet x Nathalie Fauquette

Production : Great Plains Pictures [Warning: Facebook]
Director : Brahim YAQOUB
Dancers : Sofiane Tiet [French] x Nathalie Fauquette [Warning: Facebook]
Choreographer : Sofiane Tiet
Music : BOARCROK – Eulogy
Special Thanks : West Films – Ville de Nantes

This deserves more than 9000 views. The ripped versions elsewhere on YouTube are doing better.