Alex Lewis, Dancing Raven

Sometimes, dance shows up in very unexpected places… today it’s a football field. Transplanted to Baltimore from Arizona, ESPN has this:

“When it comes to this offensive-line dancing, there’s really no better option than Lewis. After all, he took dance for 10 years at his mother’s studio.”

Just to be nice, we’ve added a link to mom’s studio.

Jessica Amber Pinkett and Courtney Celeste Spears in Ailey II

Fresh off a week of workshops and performances in Towson, a quick nod to Baltimore dancers Jessica Amber Pinkett (in her first season) and Courtney Celeste Spears (in her second season) touring with Ailey II. The Sun has a piece featuring the two and another with a short bit on Courtney Celeste Spears. And yes, Courtney is literally the face of the tour this season:

aileyiiseasonimage_2016_b0fddeac-264b-4004-806d-36f501e87b9e-prv
Ailey II’s Courtney Celeste Spears. Photo by Eduardo Patino.

For the rest of the world, catch these awesome performers along with the rest of the Ailey II company on their current season tour.

Theft from a Dance Studio – Columbia

On August 20th, cash was stolen from Arabesque Dance Studio in Columbia, Maryland. Slightly more detail at Patch.

I don’t know how much, and I don’t know if the perpetrator has been identified, but they do have an on-site store. If you need to buy dance-wear stuff in the near future, you might consider patronizing these dancers.

Autumn 2016 Dance Studio Construction Summary

As mentioned previously, things are afoot (ahem) in Baltimore dance space development.

Over the summer, Dance Solutions opened in Arbutus.

Baltimore City is working on Future Fitness and Wellness Centers.

Opening this fall (move in November), City Arts 2 is a $16 million 60-unit artists housing complex that features an on-site dance studio in the Station North arts district.

Not to be left out, Kevin Plank has put $5 million into the Living Classrooms Youth Development Center.

While it’s impossible to isolate the dollars committed to dance in these projects, multiple real estate projects in Baltimore this year include dance. This is good news for dancers throughout the city – developers recognize the lack of dance space and are actually doing something about it. There is still much, much more to do.

Know something I missed? Please let me know….

[update!]

Of course I missed something…. tucked away in R.House, we find The Movement Lab. This one is unique – R.House is a food incubator – 50,000 square feet and 10 chefs in Remington (a bit northwest of Station North Arts District). Details on classes and offerings require registration, but opening in October.

Congratulations Noelle Tolbert

Noelle Tolbert is the new Dance Department Chair for Chesapeake Arts Center – Congratulations!

Previously noted, Chesapeake Arts Center is hiring dance instructors.

Classes start in September, so if you’re on the south side of Baltimore, there’s a new place to move. With the class schedule, Chesapeake Arts Center gets a new slot here in the Learn Something list.

Announcement follows:

Continue reading “Congratulations Noelle Tolbert”

Naoko Maeshiba

Naoko Maeshiba

MSAC Artist Profile

Founded in 2002, Naoko Maeshiba/Kibism has been creating and performing works that examine boundaries between disciplines, cultures, individual and society. The mission of Kibism is to offer a theatrical experience that taps onto different states of consciousness and opens multiple channels of communication. The body is the main medium for Kibism works. Examining body’s potentials as a place where the external and the internal stimuli encounter, as a vessel through which images germinate, as a landscape for memories and histories, Kibism works investigate the relationship between our bodies and the environments we live in. ‘Kibi’ in Japanese means ‘strange beauty’. It also means ‘delicate inner workings which might not appear on the surface.’

This idea forms the foundational aesthetics of our creation. Primal passion, vivid sensuality and refined physicality collide, harmonize, and synthesize, illuminating rich layers of abstracted narrative. Born in Kobe, Japan, Naoko Maeshiba comes from a diverse background in literature, linguistic anthropology and theatre. Maeshiba’s work to date has focused on revealing the unveiled state of the body through its contact with the immediate environment. She carefully conceives and prepares space in its sculptural, auditory, and visual dimensions for dance to visit the body. Her solo and ensemble works range from site-specific improvisation in collaboration with musicians and visual artists to tightly choreographed full-evening length pieces in theatre. They have been experienced in both traditional and non-traditional venues in the North America, Europe, and Japan.

In 2007, she presented a duet, “Absence”, at a remodeled old elementary school building, M25, in collaboration with a Polish electro-acoustic duo, Wlodzimierz Kiniorski and Dariusz Makaruk. (International New Media Festival: Moving Closer, in Warsaw, Poland). Through Kennedy Center Local Dance Commissioning Project, she created “Trace” (Kennedy Center Millennium Stage, DC, 2004) with the focus on ‘displacement’ as its central theme. “Scent of Sky” with a sound artist, Alberto Gaitan tapped onto the infinity of the unknown in science/technology, using computer-generated sound bites, falling ping pong balls, and time-based video image slowly unfolding onto her body (Source Festival, Washington DC). Her twelve-performer ensemble piece “Paraffin” treated the theme of ‘loss of identity through socialization’ and received Best Dance Performance Award from City Paper’s “Best of Baltimore” 2009.

Most recently, she created “Twilight Station” with an ensemble of hearing and non-hearing performers (Questfest, Washington, DC), collaborated with a musician/sound artist Andy Hayleck in a full-evening length “Plasmic Patterns” (Baltimore Theatre Project) and “Apertures” (Tank, New York).

Complimentary Activities:

Body Wisdom: Discovering the Inner Landscape

This workshop offers a place of inquiry for investigating the depth of the body. Focusing on the body’s expression through its contact with the immediate environment, each exercise is designed to awaken the inner sense of self and develop an awareness of external visual/auditory/kinetic stimuli. Working both indoors and outdoors in nature, participants will tap into the primal essence underlying the surface and examine the relationship between body and various environments. Participants will work in solo, pairs, or an ensemble.

The workshop will culminate in a final presentation. Fees for these programs range begin at $500.